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I feel like aside from it getting brighter and a little more full, I feel like there’s some saturation type stuff going on. I feel like the stereo image is impacted. So even in a situation, we’ll call this a mastering situation, I feel like this track, whatever is going on behind-the-scenes, I definitely feel some stereo width happening. We’ll have it on, and then I’m going to pull it out.Īnd back in. That, and it’s missing a gate in some of these other modules, but we’ll be a little bit more patient as we wait for some of the other things that they’re working on before we cry too much about that. They’ve finally got this thing out, so I’m not going to complain too much. There’s quite a bit of a drop off, but I’m sure that’ll come in the future.
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Russ over at Pro Tools Expert mentioned that one of the cons that he sees right now, and I agree completely, is the inability to control your makeup or output gain, so you can’t match the level. So this is the power button for this particular module. I kind of hit that, and the track dies out there.
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This again is this free module called Revival, and I’m going to hit play where we’ve got some good stuff going on and then we’re going to dial in some tones, and then we’ll bypass it and see what we get. The mix is over here, and I pulled the reference over here to the right, and I’m going to see what VMR can do. I’ve got my mix1 that I bounced, and we’ll be hitting that for mix notes, revisions, that whole deal, but I wanted to see what would happen if I threw VMR on my current bounce, so I pulled that back in up here to my reference track at the top. One of my friend’s close brothers, Victor Encarnación produced this, and I’m mixing it, so I figured, what the heck, let me pull this in. I’ve got a mix here for Samantha Encarnación.
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Steven Slate mentioned in his intro video that he and Fabrice are taking it to their grave some of the stuff that’s going on, so kind of funny there, but you can download it there, check that out. They’ve got some behind-the-scenes stuff going on for sure. It’s free.ĭon’t let free fool you, it’s extremely powerful, I love what it’s doing. Shimmer for a sweet top-end, thickness for a sweet bottom-end, and I’m already using it across my 2buss a little bit. The introductory rate is just $149, you can’t beat that. If you want to download the demo, I can’t recommend it enough. They’ll probably have a little banner page there, but go to Virtual Mix Rack. So you can go to their website, I actually want to show you that first before we look at this free module. You can actually download one of the modules with the rack for free. Slate Digital has announced VMR, the Virtual Mix Rack, and they kind of threw a surprise in there. I’ve had a bunch of buddies who have been beta testers, and they keep throwing it in my face how awesome it is. I want to talk to you about something I’ve been waiting a long time for now. My name is David Glenn for, , and I have a new site, it’s. The Slate VTM helps glue the drums together with some very gentle tape saturation at 30ips.Hey, what’s up guys. I love the sound of an 1176 style compressor on kick drums, and the free Slate Revival module helps to just enhance the bottom end and bring out the real top end click on the beater on the kick drum batter head.Īs I have limited myself to only using the FG-A in this session I decided to put it on the Drum Bus chain just to beef up the bottom end and control some of the mid-range. You can hear that the drums have been well recorded and are being controlled nicely by a selection of VMR modules. Remember this is not a mixing tutorial, but a chance for you to hear a new plug-in emulation of a classic piece of hardware at work. I have also included screenshots of some of the channel and bus strips used in the mix so you can see what I used and how I had it set up. The only other plug-ins you will hear are a little plate reverb for the amazing Exponential Audio R4 and a little bit of final limiting from the Universal Audio Precision Limiter. For the second track, we have kicked in the EQ. The first is the soloed instrumental or vocal track with all the processing enabled except the FG-A EQ. Drums were tracked by myself at my studio all the other parts were recorded by the band in their home studio spaces.įor each of the instruments, we have created two audio files. This track called Defenceless Earth features on their new album which will be out in the autumn. The Trackįor this Mix Test, we are using a session by UK band Voltaire. In this Mix Test, we take a look and listen to how you can use the FG-A along with other VMR modules and Slate Digital Plug-ins to create a hard-hitting heavy rock mix. The FG-A module is a 4 band EQ modelled after a very famous and popular 3 band American EQ, the API 550A. As you may know, Steven and the team at Slate Digital have released their latest module for the Slate Virtual Mix Rack (VMR).